My Gawd, I care for football.
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‘Tis a sport that offers the purest microcosm of life: Play as a team–succeed; play as individuals–fail. Those of us who have strapped on the pads and grunted and groaned in the trenches know this incontrovertible truth all too well. A single unit is mighty greater than the sum of all its individual parts, and this stellar truism is manifested magnificently in Peter Berg’s sensational film FRIDAY NIGHT LIGHTS.
Again, I adore football, and I particularly devour football movies that consume the grit and dismal hubris of the sport, but this film stands alone in its overwhelming ability to describe a game, a west Texas town, its residents, its players, and its shameless addiction to the gridiron to a degree that transcends every single facet of human existence. In a community intoxicated with football, in a culture intoxicated with football, in an infrastructure that lives, eats, breaths, and sleeps football, the 1988 Odessa Permian Panthers are about to embark on a spectacular odyssey that will catapult and appreciate them at the same time: a magical, mystical season taking the coaches and players up and down the peaks and valleys of high school sports nirvana.
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This is a film that garners attention to itself for infinite reasons. A grand fable, based on a bestselling book. Cinematography second to none, thanks to Tobias A. Schliessler, that gives the movie its gritty, handheld, “documentary” feel. A fast-paced, action-packed, totally believable series of scenes, augmented by an absolute killer soundtrack. And acting–oh yes, some very convincing, authentic, been-there-done-that acting.
As huge as this film is, it is enhanced by the talents of the players who bring west Texas football to life before our very eyes: Lucas Dusky as a scowling, brooding, ultimately alarmed quarterback Mike Winchell; Derek Luke as the budding NFL superstar “Boobie” Miles, whose knee injury derails his career and summons one of the most poignant scenes in the film; Jay Hernandez as staunch, satisfactory Brian Chavez; and Billy Bob Thornton as Coach Gary Gaines. Thornton is a gifted actor, but this is perhaps his best role, as he portrays a man obsessed with getting his team to the pinnacle of success–yet disgusted with the one-dimensional, win-at-all-costs mentality of his unusual gig. Thornton is flawless; he does exceptional work.
Three other characters moved me, and moved me considerably. Perhaps, because I can readily identify with all of them. Garrett Hedlund plays Odessa tailback Don Billingsley–a paralyzed soul because his father, a traditional jock (Tim McGraw) refuses to collect his son’s perceived inattentiveness and does nothing more than relive his contain glory days two decades before. I know so many men who suffer exactly from the same malady, and could readily identify with the character, despite his shortcomings. Yet, at the kill of the film, when frightened father and son reconcile problematically, I was very mighty affected.
Finally, I identified with “Preacher,” the stoic, mute, solid defensive waste from Permian, played by a somber-faced Lee Jackson. He went through the hell of two-a-days, saying nothing. He went through the trials and tribulations of the regular season, saying nothing. He saw games won, games lost, players arrive, players go, but composed his determine was not shaken, and at last–during halftime of Permian’s game against very formidable Dallas Carter for the residence championship–he released his fury and pain to his teammates to fight and scrap and persevere, the character rose above the din and ruckus to note, very admirably, how sports is, once again, a graceful microcosm of life.
FRIDAY NIGHT LIGHTS is a whirling Texas twister of entertainment. The film is priceless; the DVD extras mighty. This product is quality entertainment, top to bottom. Highly, highly, highly recommended.
–D. Mikels, author, WALK-ON
I live in Minnesota, where high school hockey is the residence religion and the legal of passage for seniors is to go to the Residence Tournament, even if there school does not perform it that far. Parents (not impartial fathers) send their sons to live in other school districts so they can pick up more playing time or play with a better team. Everyone who has seen “Hoosiers” know that in Indiana it is high school basketball that is the subject of such devotion, but if you needed to explore “Friday Night Lights” to know that neither of those station religions holds a candle to high school football in Texas, then you are fair not a honest sports fan. Even before H.G. Bissinger’s Pulitzer Prize winning book, “Friday Night Lights: A Town, a Team and a Dream,” I knew the people of West Texas took their high school football seriously (I lived in Unusual Mexico when I went to high school, so it would have been hard not to contemplate) .
Director Peter Berg’s film version of “Friday Night Lights” is based on the factual tale of the Odessa-Permian Panthers and their 1988 season. What “right” means in this case is that the name of the coach and the key players are moral, as are the number of losses the Panthers had that year (although the scores are different, as is one of the opponents) . Overall, the film avoids going Hollywood until the final game, which does manage to be good to the spirit of the film even if it requires a tedious play call to relieve things along (I am sorry, but if it is 4th down and half the length of a football to go, and your offensive line outweighs the defense by at least 50 pounds a person, you call a quarterback sneak and find a least a yard more than you need objective by firing off the ball; at least, that is what my father has always told me and since he played college football for an undefeated team, Trinity in Connecticut, I tend to listen to him) .
This film affirms, for the upteenth time, that the main thing unpleasant with sports enthralling kids are the adults, either in the effect of the parents, or the concerned citizens whose befriend of coach is based primarily on the salvage of the last game. The prototypical parent in this account is Charles Billingsley (Tim McGraw), who has his site championship ring and makes it distinct that his son, Don (Garrett Hedlund), will be a failure if he does not do the same. Unfortunately, Don has a tendency to fumble, so Charles has no predicament going down onto the field during practice to dwelling the boy straight. Is Don playing football for his dad or despite his dad? There is no easy acknowledge to that put a question to, because life, family, and football are all wrapped up together in Odessa, Texas. The town might be mired in an economic depression, but that does not cessation them from having a football stadium bigger than what some colleges and universities bask in.
Coach Gary Gaines (Billy Bob Thornton) is supposed to go undefeated and bag the space championship. Perham has done this four times before, in 1965, 1976, 1980, and 1984. Apparently they have a four year sever rotation program going and everybody in town can do the math to figure out 1988 is going to be the year. When the Boobie Miles (Derek Luke) the star running encourage gets damage the coach gets the blame even though it is sure, like in a classic Greek tragedy, that the Fates are punishing the sin of hubris. Boobie is all ready to expend his money for playing in the NFL and he has not even picked a college yet. Basking in his stardom, Boobie gladly admits to reporters that he gets straight A’s because he is an athlete and as he leaves defenders in the wake of his sweet moves you can understand why he is the most indispensable play for Permian. But the goddess of mischief hides the helmet of his backup Chris Comer (Lee Thompson Young), and everybody knows that when you are running the come by up and preserve your superstar in the game, somebody is going to go gunning for him.
There are several key factors that execute “Friday Night Lights” work. The first is Thornton’s performance, which is yet another reminder that he is one of the finest film actors around today. His Coach Gaines goes between moments of screaming at his players in the tall tradition of football coaches going help to Knute Rockne and beyond and measured silences as he endures another rabid fan excoriating him on talk radio or the “For Sale” signs that have sprung up in his front yard after a loss. But there are also moments when the speaks from the heart, whether it is to his quarterback, Mike Winchell (Lucas Dim) in the squalid home the kid shares with his mentally stupefied mother (Connie Cooper), or the final halftime speech to his team. What distinguishes Gaines from every other man in the account is that he knows that in the demolish, football is impartial a game. He objective has to be careful about who he shares this particular bit of wisdom with during the season.
Berg makes a bright decision to shoot this legend as if it were a documentary. This works well in the extended game sequences, but suits the rest of the film as well, which is indispensable because the most principal moments in “Friday Night Lights” near at other times. Some of the best scenes rob region away from the lighted field as Boobie and his uncle (Grover Coulson) deal with the disappearance of the dream during a visit to a doctor, when the garbage truck makes it rounds, and when the kid cleans out his locker. This leads to the third key factor, which is that we care about the kids that the sage focuses on, including the restful “Preacher” (Lee Jackson) and the kid who is going to Harvard to become a lawyer, Brain Chavez (Jay Hernandez) . We do not care about the fans or the families or the rest of the town, fair the kids, and their performances match those of Thornton in providing a realism that we objective do not score in most of the films in the sports genre.
I really liked this movie until the extinguish, where the action and the emotions smack too great of Hollywood, not to mention David versus Goliath, than what had been established up to that point. Detached, in the ruin Berg focuses exactly where he should, on the kids who have finished their high school football careers and the coach who has to immediately commence planning for next year, when Odessa-Permian would again undertake the sacred quest for perfection.
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Celestron 52247 Ultima 65ED 45 Degree Spotting Scope
Product: Celestron 52247 Ultima 65ED 45 Degree Spotting Scope Discount.
List Price: $603.95
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65mm (2.6″) diameter 45° angled refracting spotting scope, waterproof, 386mm focal length (f/5.9), multi-coated optics, low dispersion ED glass, 16-48x zoom eyepiece, sighting tube, soft case.
- Amazon Sales Rank: #114225 in Camera & Photo
- Color: Grey/Black
- Brand: Celestron
- Model: 52247
- Dimensions: 7.00″ h x 8.00″ w x 19.00″ l,
Nice small scope, little chromatic aberrations
Buying this spotting scope was kind of a hit or miss, as I couldn’t find any review at all, on any website.
The reviews of the non ED version were pretty positive, so I decided to take my chance and buy it.
Pros:
1. Very portable (small, not too heavy).
2. Very little purple fringing.
3. Waterproof and fog proof.
4. The cheapest ED scope on the market (you can get it for about 330 USD).
5. The focus knob is easy to use, and allows for fine focusing, but it can be moved very fast as well.
6. Good resolution at all the zoom levels (you will need to refocus after changing the zoom).
7. It has a T-Ring adapter in the eye piece, allowing you to connect a DSLR camera to it. But see the cons too.
Cons:
1. You can not use 1.25″ eyepieces! This is really annoying, because the eyepiece it comes with is just maybe 1mm smaller than the standard 1.25″ format used by a lot of telescopes and spotting scopes. 1.25″ eye pieces can give you a lot of flexibility and better quality that a zoom eye piece can not give you. That’s the main reason why I give it 4 stars.
2. The T-Ring adapter is at the end of the eye piece, so you can not use prime focus. Instead, you have to use eye piece projection. Now, the problem with the eye piece projection in this particular set up is that at the minimum zoom you will get severe vignetting. To get rid of the vignetting you have to go all the way to 48x zoom, and that’s way too dark for a camera. Even at ISO 1600 I had to have a shutter speed of 1/40.
Long rant:
After using it for a few days, and ‘benchmarking’ it with other spotting scopes, I am pretty happy with my purchase.
Since I do not have a resolution chart, I took a medicine bottle with small writting on it (the letters were about 2 mm), placed it ~25 meters away, and looked at it with my Celestron C90 Mak, this spotting scope, and a Yukon 100×100 (not mine). Ufortunately, I didn’t have access to a similar sized spotting scope, so the test was a little unfair.
The Yukon couldn’t fully zoom in at such a close distance. The text was, however, readable, but there was a lot of purple fringing.
The C90, with a 15mm eye piece (80x zoom), could also resolve those small letters, but not as good as the Yukon. There was very little purple firinging, which is normal because the main elements are two mirrors.
Finally, with the Ultima 65ED, the text was unreadable at maximum zoom. I am not sure if this is due to not being able to zoom in enough, or because of the lack of resolution. The purple fringing was pretty similar with the C90 (very little).
Testing all 3 spotting scopes with some real life scene (for example looking at a field 2KM away) had similar results, the big guys won, which I pretty much expected. However, the Ultima 65ED was pretty close, and under most of the real life circumstances you really don’t need more than 48 zoom.
My overall recommendation is to buy it if you need a nice portable scope that you can take with you wherever you go, including on plane trips.
But if you do not plan to take it with you anywhere, and would like to have some fun looking at the Moon, Saturn and Jupiter, more zoom, and the ability to use different eye pieces, then get the C90 Mak (which is 150 bucks cheaper). If you have more money to spend, probably the best thing to do is to go to a brick and mortar store and compare try all kind of scopes until you can find the best one for your money. But in its price range, I think you will have a hard time finding something better.
Celestron Ultima 65 ED
I have owned a variety of Celestron products over the years and also a variety of spotting scopes from the $50 Barskas all the way up to $2100 Zeiss. Celestron continues to produce superb optical instruments for a fraction of the price of their performance level. I have owned the Celestron Regal F-ED in both 65 and 80 mm versions and the inexpensive non-ED Celestron Ultima 65. All were impressive. The Celestron Ultima ED 65 is equally so. For $300 you can get an image that is practically free from color fringing at all magnifications. Yes, some refocusing (non-parfocal) is required as you move through the zoom range but it is minimal.
Image quality is excellent though at any price…
- Reasonably bright image
- Very sharp
- low chromatic aberration
- excellent edge sharpness
- excellent color representation
- good contrast
Physically….
- the scope is lightweight
- all parts seem to be well put together
- focusing knob functions very smoothly and precisely
Negatives you ask? Well….
1. As mentioned above the scope does not accept standard 1.25 inch astro eyepieces. The fit is very close though and I am determined to find an adapter somewhere that will allow this combination. The 1.25 inch eyepieces that I have tried in the scope (you can put them in the body but they aren’t “attached” in any way) all seem to reach focus at infinity so there isn’t a compatability issue from an optical standpoint. It is just the physical connection issue.
2. There was some excessive “lubricant” on the outside of the scope body upon arrival. I have found this issue with several optics that I have purchased over the years but don’t really have an explanation for it.
Lastly, though you cannot use 1.25 astro eyepieces with the scope you can use the Baader Hyperion zoom as the Baader comes with a special adapter mount. You can use the Baader with any “Synta/Celestron” spotter (all of the Ultima and Ultima EDs). The factory supplied zoom is very good in terms of the image it provides. The only drawback is the narrow field of view found on many standard zoom eyepieces (40 degree-60 degree apparent FOV). The Baader takes the image to a new level by increasing the apparent field of view from over 50 degrees at 20x all the way up to about 70 degrees at the 8 mm (approximate 45x) setting. Edge sharpness, color representation, light transmission are all excellent. So, for $300 (scope) and $200 (Baader zoom) you can have a spotting scope that comes close to rivaling scopes that cost in excess of $1000. That is pretty impressive in my book.
I certainly recommend this scope with or without the Baader zoom. It is certainly a bargain!
Ultimate choice for archery
I bought one of these specifically for archery where you need to clearly identify the colors of tiny arrow vanes at 90m shooting distance. I am replacing a Bausch&Lomb Discoverer 15-60x 60mm spotting scope that lacked image quality at anything above 15X amplification.
This spotting scope combines waterproofing, 45deg. angled eye sight, very good image quality and good size for a reasonable price.
I have a perfect eye sight so I can say that starting at 16x amplification the image is as good as it can be – very comfortable eye relief, easy focus, good colors, good contrast, outstanding details and textures… I really can’t see any defects on the image.
Adding zoom to, say 36x the field of view expands and I have to get my eye closer to the ocular to see the entire image. The focus is more difficult to adjust but the image is basically at the same quality.
Going up to 48x zoom increases size of the objects but I would say does not really add more details. There is a barely detectable color fringe that can be seen on some edges and the image seems to loose overall contrast but still very good details resolution.
Bottom line, at amplifications as high as 48x there are other factors that play an important role on the image, such as refraction from the atmosphere, minimal shaking of the spotting scope due to the wind, more sensible focus and difficulty positioning the head steady. I would say that probably spending high money on a Leica or other very high end spotting scope would not really add much of overall image quality due to these factors just listed. If you are considering for photography there could be some improvement though.
Another thing, this spotting scope is not small but it is very portable. Consider portability issues if you are thinking of an Ultima 80 or 100mm. The 80mm is fairly big and wouldn’t be suitable for a shooting line. It seems the 100mm is some kind of monster.
I have not compared this one with the non-ED model but I bet the ED lenses pays off. I was really well impressed with the overall image quality of this model.
Posted on 3 September '10 by allanpark1962, under Camera And Photo. No Comments.
This charming film didn’t pick up the clear praise it deserved. It was absolutely fantastic. The itsy-bitsy Alaskan town of “Mystery” has a quirky “Northern Exposure” feel to it, and a improbable ensemble cast add a lot of fun and games.
The “Saturday” hockey game leads off this fairy-tale legend of David vs. Goliath, as their hometown boys go against the NHL’S Unusual York Rangers. Ancient “townie” Hank Azaria starts this whole thing by writing a spotlight on the “Saturday Game” for Sports Illustrated and well.. Mystery is never the same after that. Russell Crowe turns in a expansive performance as “slightly older” town Sherif John Biebe, who is the heart and soul of the grand younger hockey team. There are many astonishing smaller performances by faces you’ll certainly know and worship. It’s a wonderfully sweet, charming and comical (with classic one liners from MANY of the young players) movie that only HAPPENS to be about hockey. There is so mighty more to it. You don’t have to know a thing about hockey to bask in this fun and lighthearted movie. It’s fair up there with my all-time favs. Definatley worth a search for!
I rented this DVD having never even heard of the movie.But after having watched it, Mystery, Alaska has become one of my common movies. This savory account about a town paunchy of eccentric, hockey-obsessed people, moves along at a nice, staunch trail. Unlike many movies these days, Mystery, Alaska doesn’t hasten through notable dwelling points. When a obsolete neighbor returns home bringing the Fresh York Rangers to play against Mystery’s legendary hockey team, the town sheriff, recently bumped from the team for a younger player who’s got “jump”, agrees to coach. The members of the team are fleshed out well by an ensemble cast of virtual unknowns, with the exception of Russell Crowe. The ending is intriguing, and surprisingly unpredictable. For me, the actor that stole the expose was Ryan Northcott, a barely credited character, who plays the pivotal role of the high school skating whiz who takes Russell Crowe’s dwelling on the team. He has a couple of the most silly, and embarassing, scenes in the movie, and handles them with humor and grace. Overall, Mystery, Alaska was a laughable, delightful movie that I recommend to everyone. You don’t have to be a hockey fan to worship Mystery, Alaska.
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Posted on 3 September '10 by allanpark1962, under Mystery, Alaska. No Comments.
Tokina 11-16mm f/2.8 AT-X116 Pro DX for Nikon AF Description:
Tokina AT-X 116 PRO DX 11-16mm zoom lens for Nikon DX Lens caps Lens hood.
- Brand: Tokina
- Model: ATX 11-16mm
- Dimensions: 2.20 pounds
Features
- Optimized for Nikon Digital SLR Cameras
- f/22 to f/2.8 aperture
- Multi-layer Coatings
- 0.3m Minimum Focus Distance
- Internal Focusing Mode
Customer Reviews:
Great Lens
This is the best wide-angle lens around for cameras with Nikon DX sized sensors. It’s got great optical quality, and with a maximum aperture of f/2.8 it’s faster than competing wide-angle lenses.
The only cautionary note I would add is that although the Tokina lens itself is built like a tank, Tokina lens caps seem to be less sturdy. At least, that’s the conclusion I reached after the lens cap on my Tokina broke after my camera dropped a few inches onto a tatami mat in Japan. In looking at the broken cap, I wasn’t too impressed by its construction with its tiny fragile looking, broken plastic clips. I now have a Nikon lens cap on the lens. If you get this lens, I suggest protecting your investment by buying a Nikon 77mm lens cap for it and ditching the one that comes with the camera.
Excellent bang for the buck.
After reading Ken Rockwell’s thoughts on this lens, I decided it was probably the best bet for what I needed. I shoot mainly landscape shots for publication and needed lots of wide angle. This lens has performed very well so far. It is very well built, sturdy and solid throughout. The images are sharp with only predictable distortion at the 11mm end. I really appreciate having a lens this fast for indoor work as well.I have no hesitation in recommending this lens.
Very good performance
I have had this lens for about 6 month. It is an excellent lens. Construction is Nikon pro quality. It produces very good results with DX body at all apertures, of course a bit better stepped down. Edge performance is significantly better than 12-24 both Nikon and Tokina. It can also be used on a full frame cameras. I used it on D700. At 16mm it has insignificant levels of falloff in the corners, 15 is still usable.
Posted on 3 September '10 by allanpark1962, under Camera And Photo. No Comments.
French caper action “Arsène Lupin” (2004) is about the titular character, gentleman thief created by Maurice Leblanc, and depicts his romances and adventures in his earlier days. Though many sources on the find explain that the film is (loosely, I reveal) based on “La comtesse de Cagliostro,” I cannot be perfectly distinct as I haven’t read the current book.
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Anyway, Roman Duris (”The Spanish Apartment”) plays Arsène Lupin, dashing young jewel stealer who gets embroiled in the Royalist location by saving the life of Countess Cagliostro (Kristin Scott Thomas), to whom the young thief is attracted. Eva Green (”Casino Royale”) also appears as Clarisse, Arsène Lupin’s childhood friend and another savor interest.
The film’s convoluting epic that goes on more than two hours defies easy summery, but I can say it includes one conspiracy, two romances and semi-kung-hu-type actions (one featuring shirtless Duris himself, who is a aesthetic favorable fighter), and bit of mesmerism and lots of graceful costumes and productions. The film is always easy on the ogle, and photography is stunning, but because of the pointless actions that are squeezed into the thin anecdote, the film itself does not know where to go. The film fails to obtain us care the characters who do not know what they want to do, and its tone changes too noteworthy from amusing to violent.
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Eva Green is gorgeous, but is relegated to a meaningless role and her fans wouldn’t like the method she (or her character) is treated in the film. Kristin Scott Thomas fares better with delightfully campy acting as femme fatale (who might be using sorcery!), but soon it becomes evident that she has nothing to do except that. As to Roman Duris’s Lupin, he is allowed to note only his cheeky and corky side of the character. He is barely convincing as lady’s man, but not as future gentleman thief and master of disguise until the film’s ending.
Two stars for sumptuous productions and Kristin Scott Thomas’ (intentionally) over-the-top performance as the vamp-ish Countess.
almost endless non-stop music pick up like every walter disney’s cartoon or movie production. very unattractive leading male actor who played ‘aresene lupin’, got a very crook-like goofy face, if not forced by the screenplay, rarely any woman would drop for this guy. the leading actress also acted badly. a screenplay threw in too many threads and characters, none of them well developed. nice cinematography with exquisite colors is the only achievement of this too hollywood and too disney modeled movie, the only inequity is it’s in french.
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Posted on 3 September '10 by allanpark1962, under Arsene Lupin. No Comments.
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Leupold Riflescope Vx-I 3-9X40Mm Duplex Gloss 53801
Product: Buy Leupold Riflescope Vx-I 3-9X40Mm Duplex Gloss 53801 At Amazon!
List Price: $289.99
Amazon Price: $229.99
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Leupold¿s® standard multicoat lens system delivers exceptional brightness, clarity, and contrast. The LR Duplex reticle gives you proper holdover points for your rifle¿s ballistics profile, allowing you to consistently make accurate, ethical long-range shots. Also available with the Duplex and Wide Duplex reticles. Micro-friction windage and elevation adjustment dials marked in ¼-MOA increments. Features Leupold¿s classic lockable eyepiece for a secure focus. Available in matte black, gloss black, and silver finishes. A durable Leupold Scope Cover is included to protect your valuable VX-I riflescope during transport or when not in use. Rugged and absoloutely waterproof in all conditions. Covered by the Leupold Full Lifetime Guarantee.
- Amazon Sales Rank: #172172 in Sports & Outdoors
- Brand: Leupold
- Model: 53801
- Released on: 2008-09-16
- Number of items: 1
- Dimensions: .0″ h x .0″ w x .0″ l, 1.00 pounds
Features
- The VX-I is, simply put, the best scope in its class
- The Leupold VX-I offers hunters Leupold quality and accuracy, affordability, and a lifetime guarantee
- Which now include Leupold Ballistics Aiming System for such a low price.
Great scope for the money.
A lot of people find these scopes expensive and go for a cheaper brand. But, If you look around at higher end scopes, you will find these very reasonably priced. You will be hard pressed to find a better scope for the money. I put this scope on a new Ruger .270 and had a shot group touching each other at 100 yards. A great all around scope. Recommended.
Posted on 2 September '10 by allanpark1962, under Camera And Photo. No Comments.
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DELL Inspiron 1720 17″ Widescreen Notebook, 2.0GHz INTEL CORE 2 DUO, WiFi, 4GB RAM, 160GB, CDRW/DVDRW+DL, Webcam, Bluetooth, Windows Vista Home Premium Discount.
Compare & Purchase DELL Inspiron 1720 17″ Widescreen Notebook, 2.0GHz INTEL CORE 2 DUO, WiFi, 4GB RAM, 160GB, CDRW/DVDRW+DL, Webcam, Bluetooth, Windows Vista Home Premium at Amazon by clicking here!
List Price: $1,549.99
Amazon Price: $1,199.99
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DELL Inspiron 1720 17″ Widescreen Notebook, 2.0GHz INTEL CORE 2 DUO, WiFi, 4GB RAM, 160GB, CDRW/DVDRW+DL, Webcam, Bluetooth, Windows Vista Home Premium Description:
As one of the first of the mainstream computer manufacturers to develop a laptop around the new Intel Core Duo processor, Dell has much riding on the success of the new Inspiron 1720. The 2.0GHz Core 2 Duo processor will either sink or swim in Dells mainstream portables depending upon its reception here. Matched with 4GB of PC2-5300 DDR2 that promises to run even the thirstiest applications with aplomb, the major yardstick is not whether Core 2 Duo can keep pace with the Pentium M (Dothan), but whether it can perform without reducing battery life to minutes rather than hours. Yet having said that, it is easy to think that the Inspirons sole point of interest is the aforementioned CPU. You see, this is Dells attempt at an all-in-one laptop: a workhorse that sits as comfortably in office attire as it does in casuals. With fast-access email buttons, ample memory and a weight of 3.6kg, its a suitable office-based and on-the-go machine. Yet with Media Center bundled in, to give the control buttons at the foot of the casing something to do, and a 17in widescreen display, the Inspiron seems built for handling movies as comfortably as Excel spreadsheets. Visually, the arctic silver and black casing is an interesting reworking from Dell. The colour scheme and layout of the keyboard and tracker pad hint at a classiness that some might dismiss as tacky trend-chasing. But it actually works rather well, giving the screen a comfortable border in gentle silver rather than harsh black.
- Brand: Dell
- Model: 1720
- CPU: Intel Core 2 Duo 2 unknown-units
- Memory: 4GB DDR2 SDRAM
- Hard Disk: 160GB
- Processors: 1
- Display size: 17.4
Features
- Powered by Intel Core 2 Duo T7250 (2.0GHz/800Mhz FSB/2 MB cache)
- 4 GB DDR2 SDRAM 677MHz, 160GB Serial ATA hard drive
- Integrated 2.0 Mega Pixel Web Camera
- 17 inch WXGA+ TrueLife Glossy Laptop Screen
- Windows Vista Home Premium operating system
Customer Reviews:
Posted on 2 September '10 by allanpark1962, under Computers. No Comments.
This is the first-ever “complete series” region of any exhibit that I’ve purchased and I knew from reading product descriptions not to examine anything in the diagram of bonuses or extras (achieve for the two made-for-tv movies which ARE included on an extra disc), but I have to say I was mild graceful disappointed with how this package was assign together. The box itself is quite a bit smaller than I’d expected, given that it’s holding 7+ years worth of material; when I opened the box, however, my only reaction was “huh? “. All of the discs are stuffed together into two loose cardboard “pockets” (meant to resemble the pockets on MacGyver’s backpack or shirt? who knows? ), and aside from ths the only thing included in the box is a bare-bones episode guide that’s text-only…no screen-shots, no cast or guest-star photos, not even any information on the air-dates of the episodes. On the plus side, yes, it’s a grand indicate and incredible to have the plump series and movies together all in one region. Quiet, intellectual that Paramount has already establish together a “collectors’ edition” with all of the 7 seasons packaged individually, it’s beautiful underwhelming that a complete series box adds so minute and leaves you with disc packaging whose durability I’d say is questionable at best. Hopefully there’ll be enough people who feel the same intention that Paramount makes a better pain next time.
This DVD state comes as a slap in the face to all of the MacGyver fans who purchased seasons 1-7 individually. While the folks at Paramount are lining their pockets, we are deliberating over whether or not we should exhaust $100 in order to hold the two movies that should have been included as bonus material in the first location. I submit that all enraged customers (and from the looks of these reviews, there are many) should stammer their concerns by e-mailing Paramount Home Video and demanding that the movies be released seperately.
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MacGyver is the best point to ever. It deserves so remarkable more…
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GBC HeatSeal H312 12.5-Inch Jam Free Series Pouch Laminator with Free Trimmer 1702770 Description:
Jam Free series laminator is ideal for small or home office use with GBC patented technology to protect against pouch misfeeds for fast and flawless lamination every time. Eliminates puch wraps and machine jams. Includes a free 12.5-Inch trimmer in the box. 12.5-Inch document entry for laminating up to menu-size pouches and smaller between 3 and 5 mil. 14-Inch per minute fixed speed. Variable, rotary temperature control for expert results, including a cold setting. Auto shutoff after one-hour of non-use for safety and extended machine life.
- Amazon Sales Rank: #3321 in Office Product
- Color: Silver
- Brand: GBC
- Model: 1702770
- Number of items: 1
- Dimensions: 6.83″ h x 4.63″ w x 18.75″ l, 19.05 pounds
Features
- Carrier-free operation for added convenience
- Fast 4-minute warm up time with audible alert when ready
- Heated rollers provide photo quality lamination for up to 12.5-Inch wide documents
- Laminates 3 to 5 mil pouches
- Variable rotary temperature control with cold setting
- Heated rollers provide photo quality lamination for up to 125-Inch-Inch wide documents
Customer Reviews:
performed as advertised
I used this Laminator to preserve large numbers of documents my mom had save from my dad’s records. A previous Laminator had jammed repeatedly and damaged some of my material. This one performed flawlessly. The included free trimmer was useless.
For the price – performs like a real pro. Kind of slow, though.
First things first. This is no speed demon. I was getting one full 8-1/2 x 11 sheet through in just about one minute. If you don’t need a fancy expensive super-wide super-fast 10 mil laminating machine, this is a good unit to consider. I bought this unit, and immediately placed over 300 5 mil laminations in a row through it (with two sheets of paper each) with absolutley no negative operational issues whatsoever. Once, I was stupid and accidentally inserted the lamination crooked, but I was easily able to get it out using the jam-free feature. It takes a while to heat up, but keeps very consistent temperature. I love not having to use a carrier. I’ve used this unit for 3 and 5 mil laminating, and it works great for both. I just wish it had an exit tray to keep things nice and straight as they come out. I still give it 5 stars because of the price to value ratio. All I did was get a ream of paper to use as a landing, and it worked great.
Worked great out of the box
4 stars since I’ve only had it a week. My Mom was the first to fire it up, ran a few sheets with no problems, I ran a few myself and I like it. Beeps on power up and beeps when ready.
From the Manufacturer
Jam Free series laminator is ideal for small or home office use with GBC patented technology to protect against pouch misfeeds for fast and flawless lamination every time. Eliminates puch wraps and machine jams. Includes a free 12.5-Inch trimmer in the box. 12.5-Inch document entry for laminating up to menu-size pouches and smaller between 3 and 5 mil. 14-Inch per minute fixed speed. Variable, rotary temperature control for expert results, including a cold setting. Auto shutoff after one-hour of non-use for safety and extended machine life.
Posted on 2 September '10 by allanpark1962, under Electronics. No Comments.
I must say, my preconceptions about Training Day were all wicked. The trailer I saw in the theatres made it notice like a belated ripoff of The Corruptor, while director Antoine Fuqua’s disastrous fumble with The Replacement Killers several years ago did nothing to boost my confidence.
My doubts were dispelled the little Denzel Washington looked up from his newspaper. It is indeed pleasurable to peer Washington, one of the most gifted actors of our time, abandon the saintly martyrs he’s been prone to playing for 10 years and sink his teeth into a role which allows him to present a mix of deep charisma and unsafe viciousness. That same alchemy had made his breakthrough performance in 1989’s Glory amazingly compelling, and in Training Day, there isn’t a single moment where Washington is less than completely engrossing. Ethan Hawke also gives the performance of his career as Jake Hoyt, an idealistic but easily swayed young cop who finds himself drawn into a web of corruption, violence, and curved morals.
Fuqua’s directing is quiet overly stylish at times, but after a hyperactive first act, the film begins to yell. David Ayer’s script is magnificent, a combination of rat-a-tat street vernacular and relentless forward momentum, and after the midpoint of the movie, the intensity of the scenes would advance fantastic levels. And that’s when Fuqua’s show-offy camerawork finds a raison d’etre. In this film, Fuqua even finds room for some comparatively simple scenes which are really like a breath of novel air to his filmmaking — for example, the “you’re a leader” car scene, and that beautifully understated ending shot. I hope he makes this section of his regular style, because there’s only so remarkable virtuoso camera one can catch before it gets boring, as is the case in the opening of the film.
Buy,Download, Or Stream Training Day! Click Here
A white-knuckle thriller, well superb of the accolades it received. I stand humbly corrected on my fresh predictions.
Underneath the warped, vicious ideals held by the main character of “Training Day,” there lies a film that is cooly calculated, deplorable and intense, and works its audience in ways no other movie has. It’s main attraction, no doubt, is the casting of Denzel Washington against type (a tactic that is strikingly impressive), but the movie has the brains, the audacity, and the guts to be more than unprejudiced a star vehicle with a horrible twist in the casting department.
It begins in a mediocre manner, introducing us to rookie cop Jake Hoyt (Ethan Hawke), who is anxious to become a narcotics officer to accomplish a better life for his family. This would partially account for his willingness to stick with detective Alonzo Harris (Washington), whose unethical spend of his spot as a law officer, and his brutal embracement of street justice, earn him more than honest a force to be reckoned with.
As the legend progresses, it begins to resonate into a considerable more spellbinding fragment of work. Jake’s exposure to Alonzo’s ethics takes a toll on his subconscious: Alonzo believes everything from indulging in illegal substances to hiring informants who also happen to be dealers… anything to excel as a narcotics officer. His brutality with several offenders of the law (or is it his maintain law? ) serves to unnerve us as we sight the daily events of his life unfold in such a forceful manner.
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The appeal of the film largely depends on your ability to stomach its various messages, some realistic, others amazing. Alonzo believes that in order to do the trust of your team, you must have a detestable history; noteworthy of his beliefs stem from his ideal that if you don’t have a high degree of intimidation, then the streets will end you. These beliefs pose the audience a very blunt, beckoning question: is it mere movie fantasy, or a wake-up call to reality?
That is what makes “Training Day” a distinguished film. It poses this request to us in a straightforward manner, without reserve. Los Angeles is shown in a gritty, hardcore style that is unrelenting in its violent undertones, and shaking in its realistic appearance. The conclusion, a cat-and-mouse streak with some delicious psychological warfare between Jake and Alonzo, abandons the film’s ideas rather than offering any easy solution to them, yet manages to execute a monumental amount of suspense while not influencing our possess decisions about the morals of its characters.
The film’s cast is its strongest attribute, featuring two stellar performances from Hawke and Washington. Hawke portrays Jake’s confusion and seek information from of reality with supreme believability; in accomplish, his character’s disbelief at the events surrounding him rubs off on us. It is Washington’s character that keeps this movie at such a feverpitch. Alonzo is easily one of the most complex characters of the year: his intelligence and street smarts are absolutely inviting at times, yet when weak to propogate his view of justice, they become chilling.
Despite a dumb beginning, “Training Day” is an effective drama that provokes concept and discussion. The film’s morals are questionable, but that only serves to acquire one contemplate harder about them. Grand will be made of Washington’s losing his halo, as well as the horrible ideals his character follows, but those looking for something different will fetch this a great turn-around for the actor, who proves his ability as a versatile performer.
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Posted on 1 September '10 by allanpark1962, under Training Day. No Comments.
